Alexx's Patreon Update: May, 2021
May. 15th, 2021 01:57 pm· Updated the Dragaera Timeline to cover information from Bryan Newell's version of The Map of Dragaera. While this mostly consisted of small tweaks, there were two books involving movements of multiple armies which required nearly-complete rewrites: The Lord of Castle Black and Sethra Lavode. The principal battles in these books were sufficiently multi-threaded and complex that, in addition to estimating dates, I also found it necessary to estimate time of day. In the course of this, I also had cause to write two new supplementary essays:
o Pel's machinations in The Lord of Castle Black – In the first half of the novel, while Pel is playing both sides at once, I infer a lot of interesting actions which Paarfi deliberately elides.
o Disposition of forces before the Battle of Dzur Mountain – In the lead-up to the battle, there are 3 armies and 2 smaller troops moving around, and it can be difficult to keep track of who is where. This overview should help.
· Annotated the wonderfully detailed new cover for the 25th Anniversary edition of Alan Moore's first novel, Voice of the Fire. Highlights:
o Directly underneath the title is a small string of Enochian text.
"Alan’s favourite Elizabethan magus, Dr. John Dee, is present (albeit offstage) in the Angel Language chapter. To acknowledge this I placed an inscription in Enochian—Dee’s “Angel Language”—underneath the title."
Enochian should read right to left, but this text reads left to right. The small dots are used by Coulthart to demarcate words; they are not typically used in other Enochian writing. The letters read "BYA K A MALPRG", which translates roughly to Voice of the Fire.
o As evidenced by the title, fire is of central importance to this text, and literally takes up the center of the cover. The hottest portion of the fire is obscured, however, by the body of the shaman. Is there meant to be a symbolic meaning to this, maybe that shamans obscure as much as they reveal?
o The cover contains many human figures, but surprisingly few human faces. Several of the figures have their backs to us; one has their head turned; one has a hood obscuring the face. A few faces are visible. There are two human skulls, both facing us, which might perhaps be counted as faces. An Imp is facing us, with its human-like face on a ferret-like body. There are two indirect faces, where the cover depicts an object that itself depicts a face: the carved figure in the upper left, and the coin with Diocletian's profile at lower left. It may be that all these facial absences are meant to draw the viewer's attention subconsciously to the symbolically depicted face of the large horned shaman which is semi-hidden as a central design element.
· Continued contributing to the Little Nemo in Slumberland deep read on Twitter.
· Answered some questions for Steven Brust.
· Integrating reader comments on various projects.
Projected for next time: Finishing Jerusalem, chapter 2, and all of chapter 3.